THE KID LAROI: BIG-ROOM PRODUCTION IN THEATER-SIZED ROOMS
SUPPORTING “A PERFECT WORLD”
LMG delivered video, LED, rigging, and labor for The Kid Laroi's A Perfect World Tour in large theaters. LMG's touring crew each covered multiple roles: the LED crew chief took the FOH camera during the show, a second tech ran the gimbal, and the systems engineer shaded the FOH camera and the onstage PTZs while building the full camera package at load-in. They rigged a 70-foot-wide curved ROE CB5 wall into theater footprints that included some tight rooms.
TECH. CREW. RESULTS.
The LED system featured 170 ROE CB5 tiles driven by a Brompton 4K SX40 processor package (Main + Backup), with ROE Graphite GP2.6mm tiles dedicated to the surveillance station. Cameras included a Panasonic AK-UC4000 4K with a Fuji 80 x 9 UHD lens at FOH and a Sony FX3 on a gimbal running over a Teradek Bolt 6 XT MAX 12G. Two to three Panasonic AW-UE150K PTZs on stage tied into a Blackmagic ATEM Constellation 8K for switching.
The gimbal deployment was written into the choreography, putting the operator on stage for 70-80% of the set. LMG's rigging and labor set the 70-foot-wide curved CB5 wall while supporting STURDY’s design led by Adrian Martinez.
Designer: Adrian Martinez (STURDY)