MARTIN GARRIX: 16 CAMERAS, ONE SYSTEM FOR IMAG AND CONTENT
TURNING CREATIVE VISIONS INTO STRIKING VISUALS
LMG delivered video and labor for Martin Garrix, supplying a camera package built around four Sony HDC4300 4K camera/CCU kits and a Blackmagic ATEM Constellation 4K switcher. The switching and shading racks centered on the ATEM and a Sony HDC4300 4-camera shader kit to keep the broadcast chain matched, supplemented with Sony FR7 full-frame PTZ cameras to expand robotic coverage. An engineer and a camera utility handled setup, with the engineer shading, bringing LMG's cameras online, and managing all records nightly.
16 CAMERAS. ONE PACKAGE.
The nightly rig combined LMG's four broadcast cameras with roughly 11-13 additional robo or static cinema sources, yielding a 16-plus-camera broadcast package across large amphitheater and arena stops. LMG configured one system to serve both IMAG and content capture, delivering a live program cut plus isolated records from all inputs. The run advanced as all fly dates: in on a Thursday for two to three nights per venue across the country.